Mad Shak Dance Company
If I tell you what artistic director Molly Shanahan’s new piece is “about,” you might not go: the nature of action and perception, the supposed difference between art and “real life,” the unity of the self–or lack thereof. But you should know that the 45-minute So-Called Repetition is far from dry. Beautiful, oblique rather than didactic, and deeply felt, this mostly solo work is performed by Shanahan with a little help from a second dancer and a lot of help from her collaborators: Esther Palmer, who’s expertly manipulated the video footage Shanahan shot, and Kevin O’Donnell, who’s composed a brilliantly layered, often sad and thoughtful score for piano, violin (played by Andrew Bird), and percussion....