Sound Field 2004
Charles Ives once declared that it wasn’t composers’ fault they were limited to ten-fingered pianists. Disregarding those limitations, American composer Conlon Nancarrow wrote an extensive series of studies for player piano whose rhythmic complexities are beyond any human performer: they have a breathtaking mathematical complexity yet don’t sound like abstraction for its own sake. Nancarrow began his musical life as a jazz trumpeter, and many of the studies use jazz, blues, or boogie-woogie bass lines (though some other line that strays from the jazz style is always weaving around)....