A Painting About Painting
The chance to return to a work again and again is the greatest benefit an art museum offers. The first time I saw the Art Institute’s new acquisition, Jasper Johns’s Near the Lagoon (2003), I was awed by this towering painting’s insistent silence. Draped across a dense forest of gray and off-gray daubs of paint is a lone strand of twine, hanging naturally in a catenary curve–a shape used in the design of suspension bridges and one that Johns has employed more than once in recent works....