The Water Engine
Progress has seldom been presented as ironically as it is in David Mamet’s early, arch one-act. Here the Depression-fed hopes and dreams of Chicago’s Century of Progress Exposition contrast with the sordid cautionary tale of Charles Lang, a maverick inventor whose water engine proves too great a threat to the titans of industry–who decide just what form progress will take. To this tight hour-long murder mystery Mamet adds two alienating elements: he gives his piece the format of a radio play, scripting everything down to the last sound effect, and the concept of a chain letter, touted in “commercials....