Everlast
EVERLAST Best of Chicago voting is live now. Vote for your favorites » Hip-hop has, in one way or another, fueled most of the good pop music made over the last several years–including some of the best roots rock, from Bruce Springsteen’s breakbeat-driven single “Streets of Philadelphia” to the two solo albums by former House of Pain rapper Erik Schrody, aka Everlast. On his 1998 debut, Whitey Ford Sings the Blues, Schrody sounded something like John Mellencamp or Bob Seger might have if they’d grown up on Run-DMC instead of Otis Redding, rapping and rasping over a blend of bluesy acoustic strumming, slow and midtempo rhythms that bumped if you paid attention, and dreamy, cinematic string arrangements that echo the alien/alienated violins of RZA’s Wu-Tang productions....