Chris Mills The City That Works
Chris Mills’s late-90s output on Sugar Free was basically alt-country twang burnished by the occasional neosoul horn riff; last year he made an audacious leap, stylistically and professionally, by starting his own label, Power Pop Records, and releasing The Silver Line–a self-produced, self-financed album that allowed him, he says, to explore artistic directions that the more traditional-minded Sugar Free folks had been leery of. Mills’s lyrics are as uncompromisingly dark as ever (except on the treacly title tune), but the pop elements in the music, submerged until now, have sprung to the surface, and at times the result is unsettling: on “Suicide Note,” the harrowing death rattle of a beaten-down busker, Sgt....